Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
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The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Lactarius indigo, commonly known as the indigo milk cap, indigo milky, indigo lactarius, blue lactarius, or blue milk mushroom, is a species of agaric fungus in the family Russulaceae.
The fruit body color ranges from dark blue in fresh specimens to pale blue-gray in older ones. The milk, or latex, that oozes when the mushroom tissue is cut or broken (a feature common to all members of the genus Lactarius) is also indigo blue, but slowly turns green upon exposure to air. The cap has a diameter of 5–15 cm (2–6 in), and the stem is 2–8 cm (3⁄4–3+1⁄8 in) tall and 1–2.5 cm (3⁄8–1 in) thick. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
Cai Lun (Chinese: 蔡伦; courtesy name: Jingzhong (敬仲); c. 50–62 – 121 CE), formerly romanized as Ts'ai Lun, was a Chinese eunuch court official of the Eastern Han dynasty. He occupies a pivotal place in the history of paper due to his addition of pulp via tree bark and hemp ends which resulted in the large-scale manufacture and worldwide spread of paper. Although traditionally regarded as the inventor of paper, earlier forms of paper have existed since the 3rd century BCE, so Cai's contributions are limited to innovation, rather than invention.
Born in Guiyang Commandery [zh] (in what is now Leiyang), Cai arrived at the imperial court in Luoyang by 75 CE, where he served as a chamberlain for Emperor Ming, and then as Xiao Huangmen, an imperial messenger for Emperor Zhang. To assist Lady Dou in securing her adopted son as designated heir, he interrogated Consort Song and her sister, who then killed themselves. When Emperor He ascended the throne in 88 CE, Dou awarded Cai with two positions: Zhongchang shi [zh], a political counselor to the emperor that was the highest position for eunuchs of the time, and also as Shangfang Ling, where Cai oversaw the production of instruments and weapons at the Palace Workshop. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed with films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
St. Michael's Cathedral (German: Kathedrale St. Michael; Chinese: 圣弥爱尔大教堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road, on the east side of Zhongshan Road in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century.
St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
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Rob-B-Hood (traditional Chinese: 寶貝計劃; simplified Chinese: 宝贝计划, also known as Robin-B-Hood, literally: Baby Project) is a 2006 Hong Kong actioncomedydrama film written, produced and directed by Benny Chan, feature an ensemble cast include Jackie Chan, Louis Koo, Yuen Biao, Michael Hui, Gao Yuanyuan, Charlene Choi, Chen Baoguo and Matthew Medvedev. It tells the story of a kidnapping gone wrong in Hong Kong; a trio of burglars consisting of Thongs (Chan), Octopus (Koo) and the Landlord (Hui) kidnap a baby from a wealthy family on behalf of triads. With the Landlord arrested, Thongs and Octopus take care of the baby for a short time, developing strong bonds with him. Reluctant to hand the baby over, the two are forced to protect him from the triads who hired them in the first place.
Originally announced in 2005, the film marked Benny Chan's third collaboration with Jackie Chan, following Who Am I? and New Police Story. It was produced with a budget of HK$16.8 million and filming took place in Hong Kong between December 2005 and January 2006. Rob-B-Hood is the first film in over 30 years in which Jackie Chan plays as a thief. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
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Posthumous portrait
Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
... that revenge buying after the lifting of a 2020 COVID-19 lockdown helped a Hermès store set a record for the most shopping at a luxury outlet in China in a single day?
... that although the Jesuit missionary He Tianzhang despised his "sad Chinese appearance", it allowed him to circumvent the Qing's ban on Christianity and enter China?
White Rabbit Creamy Candy (Chinese: 大白兔奶糖; pinyin: Dàbáitù Nǎitáng) is a brand of milk candy manufactured by Shanghai Guan Sheng Yuan Food, Ltd. (Chinese: 上海冠生园食品有限公司; pinyin: Shànghǎi Guānshēngyuán Shípǐn Yǒuxiàn Gōngsī), in China. It is an iconic cultural brand and has been in production since 1943. White Rabbit candy is part of the childhood memories of many mainlanders and Hong Kongers, and has been featured in many classic Chinese movies and TV series. (Full article...)
This is a good article, an article that meets a core set of high editorial standards.
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The 2019 Shanghai Masters was a professional non-ranking snooker tournament that took place at the Regal International East Asia Hotel in Shanghai, China from 9 to 15 September 2019. It was the 12th edition of the Shanghai Masters, which was first held in 2007. Ronnie O'Sullivan was the defending champion, having defeated Barry Hawkins 11–9 in the 2018 final, and also having won the tournament in 2017. O'Sullivan successfully defended his title for a second consecutive year, defeating Shaun Murphy 11–9 in the final. This was the third consecutive title for O'Sullivan in this tournament.
The prize fund was £751,000 with the winner receiving £200,000. The event was broadcast by Great Sports Channel, Superstars Online, Youku and Zhibo.tv in China, as well as NowTV in Hong Kong and Eurosport in Europe. (Full article...)
The Central Commission for Discipline Inspection (CCDI) is the highest supervisory organ of the Chinese Communist Party (CCP). The CCDI is elected and supervised by the CCP National Congress. It is tasked with defending the party constitution, enforcing inner-party regulations, coordinating anti-corruption work, and safeguarding the core position of Xi Jinping in the CCP Central Committee and the party as a whole. Safeguarding the political position of Xi and the Central Committee is, officially, the CCDI's highest responsibility. Since the vast majority of officials at all levels of government are also CCP members, the commission is, in practice, the top anti-corruption body in China.
At its first plenary session after being elected by a CCP National Congress, the CCDI elect its secretary, deputy secretaries, secretary general and other Standing Committee members. The CCDI then reports the election results to the Central Committee, which can either approve or disapprove of the results. The CCDI Standing Committee is responsible for convening and presiding over plenary sessions of the CCDI. When the CCDI is not in session, its powers and responsibilities are delegated to the CCDI Standing Committee, which has to implement the decisions of the CCP Central Committee and the CCDI plenary sessions. It is held accountable to the CCDI plenary sessions. The secretary convenes, presides over the work and sets the agenda of the CCDI Standing Committee meetings. The current secretary is Li Xi, who was elected by the 1st Plenary Session of the 20th Central Commission for Discipline Inspection and approved by the 20th Central Committee on 23 October 2022. (Full article...)
After travelling to the capital of Chang'an, Zhang was unsuccessful in seeking a position at court. He spent the latter half of his life travelling to famous places and composing poetry. The majority of his surviving poems are on historical topics and famous places he visited in his travels. (Full article...)
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Sheng nü (Chinese: 剩女; pinyin: shèngnǚ), translated as 'leftover women' or 'leftover ladies', are women who remain unmarried in their late twenties and beyond in China. The term was popularized by the All-China Women's Federation. Most prominently used in China, the term has also been used colloquially to refer to women in India, North America, Europe, and other parts of Asia. The term compares unmarried women to leftover food and has gone on to become widely used in the mainstream media and has been the subject of several television series, magazine and newspaper articles, and book publications, focusing on the negative connotations and positive reclamation of the term. While initially backed and disseminated by pro-government media in 2007, the term eventually came under criticism from government-published newspapers two years later. Xu Xiaomin of The China Daily described the sheng nus as "a social force to be reckoned with" and others have argued the term should be taken as a positive to mean "successful women". The slang term, 3S or 3S Women, meaning "single, seventies (1970s), and stuck" has also been used in place of sheng nu.
The equivalent term for men, guang gun 'bare branches' is used to refer to men who do not marry and thus do not add 'branches' to the family tree. Similarly, shengnan (剩男) 'leftover men' has also been used. Scholars have noted that this term is not as commonly used as "leftover women" in Chinese society and that single males reaching a certain age will often be labeled as either 'golden bachelors' (黄金单身汉) or 'diamond single men' (钻石王老五). (Full article...)
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Map showing the expansion of Han dynasty in the 2nd century BC
The Han campaigns against Minyue were a series of three Han military campaigns dispatched against the Minyue state. The first campaign was in response to Minyue's invasion of Eastern Ou in 138 BC. In 135 BC, a second campaign was sent to intervene in a war between Minyue and Nanyue. After the campaign, Minyue was partitioned into Minyue, ruled by a Han proxy king named Zou Yushan, and Dongyue. During the concluding months of 111 BC, after the unsuccessful uprising led by Zou Yushan in thwarting General Yang Pu's conspiratorial intentions to undermine him, the aspiration for autonomous rule in Dongyue gradually waned. The rebellion instigated by Zou was suppressed, prompting the Han dynasty's complete annexation of Dongyue into its dominion and the conquest of the residual territories that constituted the former Minyue, effectively consolidating the permanent integration of both domains into the Han empire indefinitely. (Full article...)
The dynasty rose from the consolidation of power among the Khitans in the 8th century and their expansionist campaigns in the latter half of the 9th century. Eventually the Yila chieftain, Abaoji, became the leader of the Khitans and proclaimed a Chinese-style dynastic state in 916. The Liao dynasty launched multiple military campaigns against neighboring states and peoples including the Kumo Xi, Shiwei, Tatars, Zubu, Khongirad, Balhae, Goryeo, Later Tang, and the Song dynasty. Its conquests include the Sixteen Prefectures (including present-day Beijing and part of Hebei) by fueling a proxy war that led to the collapse of the Later Tang (923–936). In 1004, the Liao launched an expedition against the Northern Song dynasty. After heavy fighting and large casualties between the two empires, both sides worked out the Chanyuan Treaty. Through the treaty, the Liao forced the Northern Song to recognize them as peers and heralded an era of peace and stability between the two powers that lasted approximately 120 years. It was the first state to control all of Manchuria. (Full article...)
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Typhoon Maria at peak intensity on July 8
Typhoon Maria, known in the Philippines as Super Typhoon Gardo, was a powerful tropical cyclone that affected Guam, the Ryukyu Islands, Taiwan, and East China in early July 2018. Developing into the eighth named tropical storm of the 2018 Pacific typhoon season and passing the Mariana Islands on July 4, Maria strengthened into the fourth typhoon of the season and underwent rapid intensification the next day amid favorable environmental conditions. The typhoon reached its first peak intensity on July 6; subsequently, Maria weakened due to an eyewall replacement cycle, but it reintensified and reached a second, stronger peak intensity on July 9 with 10-minute sustained winds of 195 km/h (121 mph) and a minimum pressure of 915 hPa (mbar; 27.02 inHg). Over the next three days, it started to gradually weaken due to another eyewall replacement cycle and decreasing sea surface temperatures. After crossing the Yaeyama Islands and passing north of Taiwan on July 10, Maria ultimately made landfall over Fujian, China, early on July 11, before dissipating the next day.
Early in its lifetime, Maria brought winds of tropical storm force to Guam, damaging aircraft at Anderson Air Force Base and knocking out power across the island. Damage in Guam was valued at US$150,000. On July 10, Maria brought strong winds to Okinawa Prefecture, inflicting significant crop damage. Losses in the prefecture reached JP¥853.7 million (US$7.730 million). Simultaneously, Maria produced heavy rains and strong winds across Taiwan, killing one and injuring eight. Power to nearly 60,000 households was cut and agricultural damage was around NT$1.3 million (US$43,000). From landfall to dissipation, Maria impacted the Chinese provinces of Fujian, Zhejiang, Jiangxi, and Hunan with flooding rain and gusty winds. At least 510,000 people in coastal regions evacuated and one person was killed in Jiangxi. Around 9,300 houses and over 37,000 hectares (91,000 acres) of cropland were damaged. Schools and workplaces were closed in parts of Fujian and more than 200 flights were cancelled. Train and ferry services were also disrupted. Power outages were widespread in Fujian, where more than 320,000 customers lost power. Economic losses across China were about CN¥4.16 billion (US$629 million). (Full article...)
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Spirit way viewed south from the inner gate of the Mausoleum
The Qian Mausoleum (Chinese: 乾陵; pinyin: Qiánlíng) is a Tang dynasty (618–907) tomb site located in Qian County, Shaanxi Province, China, and is 85 km (53 mi) northwest of Xi'an. Built in 684 (with additional construction until 706), the tombs of the mausoleum complex house the remains of various members of the House of Li, the imperial family of the Tang dynasty. This includes Emperor Gaozong (r. 649–83), as well as his wife, Wu Zetian, who assumed the Tang throne and became China's only reigning female emperor from 690 to 705. The mausoleum is renowned for its many Tang dynasty stone statues located above ground and the mural paintings adorning the subterranean walls of the tombs. Besides the main tumulus mound and underground tomb of Emperor Gaozong and Wu Zetian, there are 17 smaller attendant tombs, or peizang mu. Presently, only five of these attendant tombs have been excavated by archaeologists, three belonging to members of the imperial family, one to a chancellor, and the other to a general of the left guard. The Shaanxi Administration of Cultural Heritage declared in 2012 that no further excavations would take place for at least 50 years. (Full article...)
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Shamanism was the dominant religion of the Jurchen people of northeast Asia and of their descendants, the Manchu people. As early as the Jin dynasty (1115–1234), the Jurchens conducted shamanic ceremonies at shrines called tangse. There were two kinds of shamans: those who entered in a trance and let themselves be possessed by the spirits, and those who conducted regular sacrifices to heaven, to a clan's ancestors, or to the clan's protective spirits.
When Nurhaci (1559–1626), the chieftain of the Jianzhou Jurchens, who was originally a vassal to the Ming dynasty, unified other Jurchen tribes under his own rule and established the Later Jin dynasty in the early 17th century, he imposed the protective spirits of his clan, the Aisin Gioro, upon other clans, and often destroyed their shrines. As early as the 1590s, he placed shamanism at the center of his state's ritual, sacrificing to heaven before engaging in military campaigns. His son and successor Hong Taiji (1592–1643), who renamed the Jurchens "Manchu" and officially proclaimed the Qing dynasty (1644–1912) in 1636, further put shamanistic practices in the service of the state, notably by forbidding others to erect new tangse (shrines) for ritual purposes. In the 1620s and 1630s, the Qing ruler conducted shamanic sacrifices at the tangse of Mukden, the Qing capital. In 1644, as soon as the Qing seized Beijing to begin their conquest of China proper, they named it their new capital and erected an official shamanic shrine there. In the Beijingtangse and in the women's quarters of the Forbidden City, Qing emperors and professional shamans (usually women) conducted shamanic ceremonies until the abdication of the dynasty in 1912. (Full article...)
The magazine was founded in 1945 as Tian Feng: The Christian Weekly by Y. T. Wu and others as an initially liberal Christian publication published by the YMCA. In 1948 he published an article titled "The Present Day Tragedy of Christianity" criticizing foreign missionaries, for which he was fired as editor. Tian Feng became the official organ of the newly founded TSPM in 1949 representing Protestants in the communist government's official religious policy. The magazine would side with the government, suppress unapproved Christian sects, and discredit theologians who were out of line. At the height of the Cultural Revolution, writing on theology became increasingly rare, and the magazine was discontinued in 1964. Following the Cultural Revolution, Tian Feng returned with a new inaugural issue on 20 October 1980. While still promoting officially sanctioned religious policy, Tian Feng occasionally expresses hopes for ecumenism or criticizes certain impediments to the freedom of religion in China. (Full article...)
The dam's body was completed in 2006; the power plant was completed and fully operational by 2012, when the last of the main water turbines in the underground plant began production. Each of the main water turbines has a capacity of 700 MW. Combining the capacity of the dam's 32 main turbines with the two smaller generators (50 MW each) that provide power to the plant itself, the total electric generating capacity of the Three Gorges Dam is 22,500 MW. The last major component of the project, the ship lift, was completed in 2015. (Full article...)
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The Hanzhong valley, the location of the Celestial Masters' state. The Way of the Five Pecks of Rice (Chinese: 五斗米道; pinyin: Wǔ Dǒu Mǐ Dào) or the Way of the Celestial Master, commonly abbreviated to simply The Celestial Masters, was a ChineseTaoist movement founded by the first Celestial MasterZhang Daoling in 142 CE. At its height, the movement controlled a theocratic state in the Hanzhong valley, north of Sichuan. In 215 CE, the state was incorporated by Cao Cao into what would later be the Kingdom of Wei, and the followers of the Celestial Master were dispersed all over China.
The Celestial Masters believed that qi pervaded everything, and in order to achieve immortality, the correct balance of qi had to be present within the body. Having a poor quantity of qi in the body, would result in illness, and eventually death. Meditation could be used to restore qi to the body, but sex was to be avoided, as it could result in the loss of qi. If there was the correct balance of qi within the body upon death, an adherent could 'feign death' and be reborn. If not, an adherent would be transported to an earthly prison where he would face eternal torment. (Full article...)
Xin Fengxia (Chinese: 新凤霞; pinyin: Xīn Fèngxiá; Wade–Giles: Hsin Feng-hsia; 1927 – 12 April 1998) was a Chinese pingju opera performer, known as the "Queen of Pingju". She was also a film actress, writer, and painter. She starred in the highly popular films Liu Qiao'er (1956) and Flowers as Matchmakers (1964), both adapted from her operas.
Xin was married to Wu Zuguang, a prominent playwright and an outspoken critic of government policies. When Wu was denounced as a "rightist" in Mao Zedong's Anti-Rightist Campaign, Xin refused to divorce him and was herself denounced as a result. She was later severely persecuted during the Cultural Revolution, becoming disabled after a beating and was later paralyzed due to a stroke. No longer able to perform, she dedicated the remainder of her life to teaching, writing, and painting. She studied painting with her godfather Qi Baishi, a master of Chinese painting, and studied writing with her husband. She published a two-million-word memoir, which has been translated into English and Urdu. (Full article...)
Image 9Chinese Export—European Market, 18th century - Tea Caddy (lid) (from Chinese culture)
Image 10Tang dynasty mural from Li Xian's tomb in Qianling showing Han nobility clothing of the era. (from Chinese culture)
Image 11Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 19Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 51Range of Chinese dialect groups according to the Language Atlas of China. (from Chinese culture)
Image 52Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 57Flag of the Republic of China from 1928 to now (from History of China)
Image 58Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
President Bongbong Marcos signs into law the Maritime Zones Act and the Archipelagic Sea Lanes Act which defines the maritime entitlements of the Philippines and set designated sea lanes and air routes. China protests against the laws which is linked to territorial disputes in the South China Sea. (Reuters)(Nikkei Asia)
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National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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